Fifty years of putting pencil to parchment
I started drawing before I could write my own name well. Over the decades that turned into a career — illustration work for major brands and private clients, commission after commission, other people's deadlines and other people's visions.
This collection is different. These are the pieces I made for no one but myself — portraits of my own family, studies I returned to because I couldn't leave them alone, abstract work where I finally got to decide what the line should do next.
I'm not interested in mass production. I never have been. Every piece here was made by hand, on parchment or wood, start to finish, by me — and once it's gone, I won't make another one exactly like it. That's not a marketing decision. That's just what original means.